Tokyo Jihen, "Gaman" (via)
If you're resigned to existence as a many-headed beast, there's no reason not to emphasize how weirdly everything fits together. The b-side to "Noudouteki Sanpunkan" jumps proggily between personalities. It's possible deconstructionists hoping for an elaborated krautfunk meditation on the verses will fall apart when the chorus rocksthefuckout, it's possible the headbangers will hang them when the bridge (a vacation, really, with a nice little Steve Howeish drop around 1:50) slaps down some cornball ritz. When five necks are pulling in different directions, you may never get anywhere. But you can lie to yourself and call the struggle a dance.
I need to digest this a little longer, but at first taste this is my
favorite thing she (and especially Jihen) has done in a looong, looong
time. I wasn't too keen on 3min by itself, but these two songs really work
together well.
I get where you're coming from, and hope for the best."Tokyo Jihen" is, for
me, so conceptually inferior to "Shiina Ringo" that the monster band
realization is not exciting. Unless they totally break down and beat the
shit out of each other. It's easier to take individual songs as they
appear than look forward to a whole album, though of course I'll be happy
to listen to that a billion times when it comes. I never listened to
Variety's b-sides, and guess I should. (This too is a b-side, of course,
so it might not be indicative in any way of what winds up on Sports.)
The OSCA B-sides (Pinocchio and Kaban no Nakami) are both really, really
good. Killer Tune's (BB.QUEEN and Karada) aren't as hot. And Kameda's Senko
Shojo is a JPop gem.