(pic via)
More straight-up gospel than last week's, except where it isn't. It keeps an eye on the afterlife, there's the whiff of a narrative... though I wouldn't pay too much attention to themes or stories as I liberally appropriated any directional intent for the cause. (The Staples' classic is now, of course, about nothing but Chevrolet automobiles.) Not much in the way of brimstone, though it's hard not to admire Reverend Nix' bald contempt for his congregation.
Of the belters in these 80 minutes - Coates, Mahalia, that amazing loud-soft-loud perambulation by Bessie Griffin, etc. - I feel I should call some special glory down on Robert Lee "Little Sugar" Hightower. The Hightowers were five Floridian brothers guided and accompanied by their father, Reverend Nick. They recorded five tracks for New Jersey's Savoy Records before spending three years with Nashville's Nashboro label, mostly tackling the Reverend's originals. (His best song, "Seat in the Kingdom" - a recording I've also seen attributed to "The Crumb Brothers" - was in the last mix; the two below are covers.) Sugar had a voice as big as the best of them, sent the needle in search of new shades of red. His mannerisms can verge on self-parody, but that's simple precociousness: When these tracks went to tape between 1960 and 1962, according to Opal L. Nations' liner notes, the singer would have been between ten and thirteen years old. Can I get an exclamation point?

In 1964, having spent seven years in their father's gospel group, the sibs went secular under the name "Little Mr. Lee & the Cherokees" and recorded six sides for Sure Shot Records (you can stream one here, another here). Sugar later became guitarist and back-up singer for the Supreme Angels (myspace), first behind Howard "Slim" Hunt, now supporting the late Slim's son.
These selections have been old - some really, really old - and I don't listen to much contemporary gospel. Other than the suspicion that there's really not much new ground covered (though there have to be new, good songs, right?), I'm scared off by the sound. Some time during the ‘90s a lot of new soul and blues recordings got unlistenably antiseptic. So the most recent gospelgospel track here - so spankin' that the CD on which it's included arrives this week - comes courtesy the folks at Daptone, folks smart enough to make new things sound old. Naomi Shelton & the Gospel Queens (myspace) have their record release party at Joe's Pub on Wednesday, will be doing the free thing in Prospect Park at the end of July. Go get your love on.
Download the full mix: Toast (Pt 1 - Pt 2)
Individual tracks:
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Also at Joe's Pub, this coming Saturday: These people.
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I don't want to go on any more about this Green Day record, but it keeps going on. So: "Last Night on Earth" is a FUCKING AIR SUPPLY SONG.
Paves the way for ironic metal tributes to Green Day, I guess.
Absolutely fabulous songs, this week's mix and last week's. How did you
get so deep into gospel? This should be required listening for all lovers
of music.
Glad you enjoyed them! The first gospel disc I heard was that Abyssinian
Gospel Choir record, which was sort of mind-blowing rock and roll stuff.
From there I just grabbed comps and went from there. I binge on it every
now and then. Recommendations always welcome.